[4][5][6][7][8] It is also a pivotal film in the cyberpunk genre, particularly the Japanese cyberpunk subgenre,[9] as well as adult animation. Tetsuo flies into space and brings down FLOYD, causing it to crash down upon the aircraft carrier, killing the fleet admiral and one of the scientists. Jenny Kwok Wah Lau writes in Multiple Modernities that Akira is a "direct outgrowth of war and postwar experiences." He is later taken in by Tetsuo and later by the Great Tokyo Empire where he is made Emperor and worshiped as a 'god' by its followers for his "miracles", but in reality his personality made him more of a figurehead. [137] Kanye West cited Akira as a major influence on his work,[137] and he paid homage to the film in the "Stronger" (2007) music video. Akira is a highly-acclaimed cyberpunk manga and anime film. [100][101] By 2017, director Taika Waititi was named as the film's director for the live-action adaptation. While working on the Akira comic, Katsuhiro Otomo did not intend to adapt the series outside of the manga; however, he became "very intrigued" when the offer to develop his work for the screen was put before him. [1], The teaser trailer for Akira was released in 1987. In the singularity, Kaneda experiences Tetsuo's and the espers' childhood, including Tetsuo's dependence on Kaneda during their childhood, and how the children were trained and altered before Tokyo's destruction. [32] It debuted at number three on the UK box office charts, grossing £439,345 in its opening weekend. [112] It was ranked No. However, these are not central to the story, which instead concerns itself with character, societal pressures and political machination. [92] Another Akira game for the Atari Jaguar,[93][94] Super NES, Genesis and Sega CD was being developed, but canceled along with prospects of another Akira title for the Game Boy and Game Gear handheld consoles. At the hospital, the espers confront Tetsuo, and he aggressively fights back with his psychokinetic powers and escapes. Akira utilizes the power with which he destroyed Tokyo to absorb Tetsuo, and contain him in a new universe. Kaneda confronts Tetsuo, and the two begin to fight; they are joined by Kei. [6] It was published in the United States by Marvel Comics under Epic Comics, becoming one of the first manga ever to be completely translated into English. Chapters 1–18, originally serialized from December 1982 to September 1983. [23][67], In 2003, Tokyopop published a "reverse adaption" in the form of an Akira "cine-manga." The espers teleport Shikishima to a safe distance as the singularity destroys Neo-Tokyo in a mirror of Tokyo's previous destruction, and they agree to rescue Kaneda, knowing that they will not be able to return to this dimension as a result. For its wider 2001 release, he gave the film "Thumbs Up. [20] He later recalled that the film project had to begin with the writing of an ending that would bring suitable closure to major characters, storylines, and themes without being extraordinarily lengthy, so that he could know in reverse order which manga elements would make the cut into the anime and thus suitably resolve the manga's various elements into a lean, two-hour story. As a result, his naming conventions match the characters featured in Tetsujin 28-go: Kaneda shares his name with the protagonist of Tetsujin 28-go; Colonel Shikishima shares his name with Professor Shikishima of Tetsujin 28-go, while Tetsuo is named after Shikishima's son Tetsuo Shikishima; Akira's Ryūsaku is named after Ryūsaku Murasame. In 1988, the manga was published in the United States by Epic Comics, an imprint of Marvel Comics. [67] The Funimation release includes both English dubs, Streamline in stereo and Pioneer in 5.1 surround (both TrueHD at 96 kHz). [68] Funimation released a 25th anniversary Blu-ray/DVD combo and separate DVD release on November 12, 2013, which features the TrueHD Japanese audio and both English dubs (TrueHD at 96 kHz on Blu-ray).



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