[235], On August 16, 2016, in an interview with Entertainment Weekly, costume designer Janie Bryant spoke of crafting Pennywise's form-fitting suit and the inspirations to which it drew upon involving a number of bygone times among them the Medieval, Renaissance, Elizabethan, and Victorian eras. He's pretty intimidating because he's six-four and has all this makeup. I may not know until the film comes out. As Pennywise, It takes Bill hostage, offering to spare the others and go into hibernation if they let It feed on Bill. [298] Wallfisch spoke of Pennywise's second theme, inspired by Skarsgård's portrayal,[298] in which he used the old children's song "Oranges and Lemons", which had always disturbed him as a child: "We knew we wanted some kind of children's song to signify Pennywise's strange and demented inner monologue.

Cast.

[47] On June 2, 2016, there was a call for 100 background performers, with the background actor call going from 3 p.m. to 7 p.m. and by 4 p.m. more than 300 people had gone through; the casting call also asked for a marching band and period cars between 1970 and 1989.

Eddie Kaspbrak. [489] Christy Lemire of RogerEbert.com wrote that "Despite the many terrifying moments they endure in their quest scenes that will leave you trembling and giggling at once It is even more powerful in the warm, easy camaraderie between its young stars. [323] The website streamed the third trailer as well as containing a gallery, videos, and the 8-bit game "It: Enter the Sewer". stipulations. "[335] Chris Eggertsen of HitFix responded positively stating the image to be "an appropriately macabre look that doesn't deviate too radically from the aesthetic of Curry's Pennywise dare I say, a more creepily seductive look to Skarsgard's version that was absent from Curry's interpretation.

[408] Variety noted that the film's opening weekend could have been even greater if not for Hurricane Irma shutting down nearly 50% of Florida's theaters, a state that typically accounts for 5% of the country's box office grosses.

"[484] San Francisco Chronicle’s Peter Hartlaub granted the film a maximum score of four stars, stating that "Muschietti understands the Spielberg-ian rule, that creating a recognizable and convincing backdrop makes the supernatural thing in the foreground feel tangible and believable. "[159] Lin confirmed that Fukunaga would begin principal photography in Summer 2016. "[130] Muschietti also mentioned that 360 extras from the area, from adults to tiny kids, had been involved. [237] Bryant explained that the costume incorporates all these otherworldly past lives, while highlighting the point that Pennywise is a clown from a different time.

Beverly Marsh, a girl bullied over rumors of promiscuity, also joins the group; both Bill and Ben develop feelings for her. I had a different approach. [265], Company 3's Stephen Nakamura collaborated with Muschietti to color grade It, completing the film's digital intermediate in Blackmagic DaVinci Resolve at EFILM,[266] spoke of the concepts about the look of Muschietti's film that evolved during production, and while continuing it in the DI, the idea that a lot of the film takes place in fairly high-key situations, not the kind of dark, shadowy world some horror films exist in.

", "Weekend Forecast: Stephen King's 'IT' Poised to Crush September & Horror Box Office Records", "Thursday Night Report: 'IT' Soars to R-Rated, September, & Horror Record $13.5 Million Start", "Weekend Report: 'Conjuring' Haunts First With Record Opening", "Weekend Box Office: 'Conjuring 2' Conjures Scary-Good $40 Million Debut", "Box Office: 'It' Could Be Stephen King's Biggest Movie Ever", "Box Office: How High Will Stephen King's 'It' Float On Opening Weekend? [267] Nakamura said, "It's a period piece.

[431], Internationally, the film was released on approximately 10,560 screens.

[157] On May 21, 2014, Warner Bros. was announced to have moved the film to its New Line Cinema division, with overseer duties conducting by New Line's Walter Hamada and Dave Neustadter, along with Vice President of Production at Warner Bros., Niija Kuykendall.



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